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Nocturne: Night in American Art, 1890–1917
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Review
“Hélène Valance has written a much-needed history of how image makers reacted to the ways in which the American night was lit, exploited, and commercialized from the turn of the twentieth century until the U.S. entry into World War I.”—William Sharpe, caa.reviews“With Nocturne, Valance adds a new chapter to the scholarship on artists fascinated by American nightscapes and places them within the context of history.”—Alfonso Huerta, ARLIS/NA Reviews"Art historian Hélenè Valance has written an innovative overview of American paintings of the night . . . The writing is eloquent, sophisticated, and accessible, and the production values are high, with beautiful color reproductions of art on nearly every page."—T. Nygard, Choice Jane Marie Todd’s translation of Nocturne: Night in American Art, 1890-1917 by Hélène Valance is a finalist in the French American Foundation's 2019 Translation Prize, non-fiction category
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Book Description
The turn-of-the-century vogue for night landscapes is examined through the technological, social, and political changes that affected the era in this absorbing and original study.
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Product details
Hardcover: 256 pages
Publisher: Yale University Press; 1 edition (July 17, 2018)
Language: English
ISBN-10: 0300223994
ISBN-13: 978-0300223996
Product Dimensions:
8.8 x 1 x 11.2 inches
Shipping Weight: 2.9 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#255,697 in Books (See Top 100 in Books)
This is a challenging but rewarding book. When I first took it up it felt like an odd choice - while I was drawn to the idea of the nocturnal it seemed that this book would address no more than an odd little niche in the vast world of art. So wrong, (or at least so shortsighted), but so happily corrected.We start with Whistler, who came along after the vast and majestic western landscapes of the 1830's, and who embraced the nocturne as a form of pure painting unrelated to any representation of the "real" world. From these "tonal" paintings and nightscapes, which might be said to mark the beginning of interest in the nocturnal, the narrative moves on to later paintings, photographs, prints, and even advertising and popular media. What is the appeal of night imagery, and how does it connect with everything from the spread of electric lighting to growing social anxiety?We tend to take nighttime for granted or to ignore it, but for most of history, including American history, night was a palpable force in the routines of life. As daily life changed, as electricity changed the way we lived in and looked at the world, and as modernity transformed the landscapes so beloved by Hudson School painters, the nocturne was a reaction, a veil, a melancholy reminder of a simpler past, and an ambiguous and ambivalent commentary on the unknown future. You can get a little too cute with all of this; by equating nocturnes with "darkness", which can be a metaphor for anything you want, you can pretty much make any arguments and draw any conclusions you care to. I finally concluded that, in addition to the art history,the fact that this book gets you thinking along such lines, and offers you plenty of material to work with and think about, may be its best feature.This all sounds like it could be tedious or too polemical to be entertaining, and sometimes it is, but Valance is generally a knowledgeable, amiable and persuasive guide. Over 150 well chosen and faithfully reproduced drawings and prints illustrate Valance's points. While some connections and themes are fanciful, labored, and unconvincing, (nocturnes being a statement of "social whiteness" because race relations are a matter of light and dark, for example, and all nocturnes are implicitly racial metaphors), the larger discussion of nocturnes is generally thought provoking and skillfully laid before the reader. Insights regarding the switch over time from rural nightscapes to urban nightscapes are especially noteworthy. That said, this book leans more to the academic/scholarly side than to the popular side, which means that there is some heavy footnoting, some insider score settling, occasional esoteric jargon, and other scholarly trappings. Thankfully, that never gets in the way of the larger story and did not prove to be an obstacle to at least this non-academic reader.My bottom line - simply as an interesting art history book this works well. The artworks are well described, well placed, and well linked by the narrative. I finished with a better informed and deeper appreciation of night scenes, moonlit landscapes, nocturnes, and the like. As a social history, the author draws numerous apt and insightful connections between the art and its larger social context that prompt and reward further thought. I don't see how you can ask for much more than that, and I ended up happy with this choice.(Please note that I received a free advance will-self-destruct-in-x-days Adobe Digital copy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)
This is an interesting looking at the portrayal of Night in American Art and the broader social issues. I enjoyed reading the book but I did find it slow going. I read an ecopy of the book and some of the illustrations did not show up well. This book should be read slowly and in a hard copy format. Anyone with an interest in American art and American history at the turn of the century will enjoy this book.
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